围起当代艺术博物馆》是于上海当代艺术博物馆外公共空间举办的群展。
"Encircling the Power Station of Art" is a group exhibition held in the public space outside the Power Station of Art in Shanghai.
展览时间:2020.05.23-撤展时间不定
展览地点:上海当代艺术博物馆外公共空间
![展览:围起当代艺术博物馆(展览)](https://px.lanyin.net/image/http://p7.itc.cn/images03/20200524/992a4229f0384cfc8aca3c4c871add4e.jpeg?imgsec=zPox3j1c5VRXdP614IDDhQ&imgexp=1725645600)
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展览海报
对于美术馆空间与周围空间的关系早有讨论。Michael Asher于1970年的作品中,曾将美术馆的馆门拆除,以户外的声音及光线作为展览内容。但这一过程仍带着浓厚的西方形而上学色彩;其主体观念是作为抽象实体的“美术馆空间”和“非美术馆空间”。
在《围起当代艺术博物馆》中,这些形而上学式陈词滥调就此退场,取而代之的是社会学式的质问:将对“美术馆-非美术馆”概念上的分析改换成在具体社会背景下美术馆所在的具体情境、其社会学式的辐射范围。美术馆成为了三维时空中对某一社会行为的符号暗示;具体的社会学式的“美术馆空间”——“上海当代艺术博物馆”是展览物理及概念上的后景。
可以这样理解:本展览在传统的“美术馆空间”、“非美术馆空间”二元论批判内设立了“次美术馆空间”;这一在“次美术馆空间”举办的展览,是在特殊世界背景下对固有展览形式的反思。
The relationship between space of art museum and its surrounding space has long been discussed. In a 1970 work by Michael Asher, the entrance of the gallery was removed and outdoor sound and light were used as exhibition content. However, this process still had a strong color of western metaphysics. Its main concept is "art museum space" and "non-art museum space" as abstract entities.
In "Encircling Power Station of Art", these metaphysical cliches are repelled and replaced by sociological questioning: the conceptual analysis of "art museum-non-art museum" is changed to the specific situation where the art museum is located and its sociological radiation range under the specific social background. The art museum has become a symbolic hint of a certain social behavior in three-dimensional space and time. A concrete sociological "Art Museum Space"-"Power Station of Art" is the physical and conceptual background of the exhibition.
It can be understood as follows: 1. This exhibition set up "sub-art museum space" within the traditional dualist criticism of "art museum space" and "non-art museum space"; 2. This exhibition held in the "Sub-Art Museum Space" is a reflection on the inherent exhibition form under the special world background.
参展人及其作品陈与安
![展览:围起当代艺术博物馆(展览)](https://px.lanyin.net/image/http://p3.itc.cn/images03/20200524/cf84e8b0e4c949a8b1df9240efbc5109.jpeg?imgsec=zPox3j1c5VRXdP614IDDhQ&imgexp=1725645600)
-,120cm x 200cm,覆膜的亚克力板,2020
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展览现场
黄义宏
![展览:围起当代艺术博物馆(展览)](https://px.lanyin.net/image/http://p1.itc.cn/images03/20200524/a57ec1bef0d6455e87ad6f43cc36388c.jpeg?imgsec=zPox3j1c5VRXdP614IDDhQ&imgexp=1725645600)
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绿·网,100×50×50CM,支架,照片,手机。展览现场
李旻旭
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未降之雨,59.4cm x 84.1cm,纸上喷墨打印,2020
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展览现场
刘思宇
![展览:围起当代艺术博物馆(展览)](https://px.lanyin.net/image/http://p2.itc.cn/images03/20200524/bc994c8c7e1c49c2be854489a1f3f305.jpeg?imgsec=zPox3j1c5VRXdP614IDDhQ&imgexp=1725645600)
纪念碑(其一)12小时游戏,尺寸可变,数字建模,2020
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展览现场
![展览:围起当代艺术博物馆(展览)](https://px.lanyin.net/image/http://p2.itc.cn/images03/20200524/e482be866c2646b1a91758b40c454b44.jpeg?imgsec=zPox3j1c5VRXdP614IDDhQ&imgexp=1725645600)
美术馆,尺寸可变,数字建模,2020
![展览:围起当代艺术博物馆(展览)](https://px.lanyin.net/image/http://p1.itc.cn/images03/20200524/9792a8f4e47044a79eb3903b89f92747.jpeg?imgsec=zPox3j1c5VRXdP614IDDhQ&imgexp=1725645600)
展览现场
李阅凡
![展览:围起当代艺术博物馆(展览)](https://px.lanyin.net/image/http://p5.itc.cn/images03/20200524/545f58b92bf34baea9784e9fcc887cfe.jpeg?imgsec=zPox3j1c5VRXdP614IDDhQ&imgexp=1725645600)
盖章,7x7cm,行为、橡胶,2020
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展览现场
![展览:围起当代艺术博物馆(展览)](https://px.lanyin.net/image/http://p1.itc.cn/images03/20200524/cf9cb356b3e04661a5f39828ee5a4014.jpeg?imgsec=zPox3j1c5VRXdP614IDDhQ&imgexp=1725645600)
小卡片,尺寸可变,行为、硬卡纸,2020
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展览现场
李知航
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傍晚六点五⼗五分的疑问,100cm x 100cm,不锈钢、喷漆,2020
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展览现场
孙乐涛
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⾃由,150cm x 100cm, 塑料、棉线,2020,展览现场
孙其乐
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Awaken our sense ,亚克力、醋酸钠过饱和物,70cm x 50cm,2020
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展览现场
唐乾胜
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绘画!,约750cm x 25cm,经打磨后的沥青路面,2020
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苍蝇、亚克⼒ ,1.5cm x 1.5cm x 1.5cm ,苍蝇、亚克力,2020
张珂
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无题,30cm x 20cm, 综合材料,2020
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展览现场